Some habits are hard to break.

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It was a day for going back to my roots, putting the fancy stuff to one side and make some wheels, something I haven’t done for a while, this time a set of four little wheels to replace some rotten ones from a customers much loved goat cart.

Years ago when I first started making carriage wheels, I got into the habit of always making  spare parts, so for example if I needed 20 spokes, I would make 21 so I had a spare for when I went wrong. So for this project where I am building a set of four wheels I found myself turning five hubs, I needed 36 spokes so I made 40, The felloes ( the wooden rims) are made up of 18 pieces so I cut 20. Now when I first started this was useful, it saved time when I went wrong, now I would never admit to such a thing. For some reason I only do this when I am making wheels, I don’t cut extra leather, or forge extra steel. Its just a habit that’s hard to break.

But its nice to be back making wheels. Technically they aren’t difficult, its just honest, basic woodwork, the ability to measure accurately, cut straight, cut joints, and then for the grand finale you get to have a fire, heat up a steel tyre and then quench it with water, making lots of noise and steam, what more could a man want. For the outer rim you make a tyre out of strip steel, slightly smaller than the circumference of the wooden rim, then heat it up in a fire, causing it to expand, then whilst hot you slip it over the wooden wheel quenching it with water. Several years ago I once made a 2mt wheel, so the tyre used over 6mts of steel, and need one hell of a fire to heat it up. With so much steel the tyre expanded so far I didn’t think it would ever shrink back, but amazingly it did. the problem with these ones is that the wheels are so small I think I will be measuring expansion in single millimetres so fitting them is going to be a challenge. Maybe its just as well I make spares I might just need them.

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Is it Sculpture or is it Art?

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The alternative title is “It looks so big in the workshop”. For those of you who have seen my previous posts you will know that I was invited to exhibit one of my works at the Canary Wharf Winter Lights festival which starts tomorrow (16th of January 2017) and runs for two weeks every evening.

For some time I have been playing with the concept of a Copper lily leaf below which hangs a lantern. The lantern is covered in an earlier post and contains 8 very clever flame lamps, in what has been described by others as a Steam Punk Style lantern – Who knew for the first time in my life I am on trend.

I was then asked at very short notice if I could produce 6 illuminated direction signs and a large Winter lights sign using their logo typeface in LED rope light. A pile of steel and wire has been transformed  into seven structures dotted around the estate, and installed on what has been the wettest most miserable weather day I can remember. But when you stand back and look you will forgive me the triumphant look. Its finished, the long days are over (until the next time).

As for my original structure its in, and if I say so myself it does look good, and whilst I know it stands over 5 mts tall I am sure it was bigger in the workshop.. The argument now is this art or is it sculpture? Is it better to describe oneself as an Artist or a Sculptor?

flame-canaryHere I am absolutely soaked with one of my illuminated signs and look up for the copper lily leaf and “Ball of fire”. Is it possible to be miserable and elated at the same time?

Thanks for reading

Tom

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Its launched so now it has to happen

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This week I have posted a new video on You tube. This latest one shows how to make a ladies handbag loosely based on an American Lunch Pail shape. Not being American myself  I have no idea whether they actually use lunch pails, but having been brought up, albeit many years ago, on American films they always seem to use them, and its a lovely practical shape.

The Video shows how to make it and I have tried to illustrate the thought process behind the design, showing how I arrive at the dimensions, and the various options so any one attempting to make on for them can alter the size to suit them. To have a look go to https://www.youtube.com/watch?v=2C8DhX-0lB8

The major difference is that I have now given a public deadline for the production of the Leather Crafting book, which still needs a title, a cover, and just a bit more inside, so its nearly ready. But now there is now an official publication date so I have to get on and finish it.

In the meantime enjoy the video https://www.youtube.com/watch?v=2C8DhX-0lB8

 

 

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Calling my bluff

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As anyone who like me spends a lot of time working with artists will tell you there comes a point when you find yourself saying “I could do that” along with “How difficult can it be”

Unfortunatley I may have said that to the wrong person and their reaction was to say “Go on then fill your boots” For a couple of years now I have provided technical support for the Canary Wharf Winter Lights festival, which consists of a number of artists from around the world installing outdoor artworks around the theme of lights and runs for the middle two weeks of January.

This year there are a number of spectacular works including an enormous water screen projection, and then there is me. I have created my ball of fire. Based around very clever very realistic led flame lamps.

To simply state I have created a copper lantern, down plays the craft involved I started with a sheet of metal and some water pipe, and this is the result, which is then supported by a 5mt post in the shape of a copper lily leaf, all of which should accentuate and reflect the colour of the flame across one of the plazas.

I have absolutely no idea how it will be received, or how it compares, but it really doesn’t matter. they called my bluff but I think I might just get away with it, and afterwards I get a most unusual lantern for the garden

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Its been a long time

imageIts been a long time but finally the Rocking Garden Chair is now finished and available on YouTube. If you’re interested in seeing how to make one and understand the design process behind it have a look at https://www.youtube.com

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Are Coconuts getting smaller?

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Now there is a school of thought that says everything seems bigger when your young but I am sure I remember coconuts  being bigger.

I always enjoy a bit of blacksmithing, but don’t often get a chance. There is something very elemental about working with fire and hot steel, bashing away with a hammer to create what you want and then cooling it with a great hiss in a bucket of water. Great fun.

I remember seeing “A Blacksmith” at work at one of England’s Great House’s recreating tudor crafts. This particular smith would heat up a piece of steel until it was red hot, take it out of the fire, hold it up so everyone could see it, and then down on the anvil where he would tap it with his hammer sufficient to get the ringing anvil noise, brush it with a wire brush and the quench it in water with a great hiss, and then start all over again. Those watching thought he was marvellous, but all he did was heat up the steel and cool it down again albeit with some theatrics. Several years ago I used to do public demonstrations. I had a little 15 minute project which took a piece of plain steel and with a few heats and a bit of noise turned it onto a bird feeder hook, complete with a running commentary and several jokes. I did it so often I didn’t need to concentrate so it became an entertainment and jolly good it was if I say so myself. As part of the spiel I used to say I don’t make swords or knives so don’t bother asking, and you could guarantee that someone would come round afterwards and ask me to make a sword, and then there were those who wanted manacles and handcuffs……

I digress. I have a customer who sells fairground games http://www.fitzrobbie.co.uk and I had been asked to look at making the posts for a coconut shy. In blacksmithing terms a very simple project, heat up the end, form a ring, and then turn through 90 degrees to a flat top , all I need is a dimension for the coconut. Now I remember coconuts from when I was a lad, I wont pretend it was an everyday occurrence but I do remember getting several as I grew up. Whilst not exactly rugby ball size I am convinced they were considerably bigger than the sorry size specimens I was able to purchase from my local supermarket. I checked several emporiums and they all had the same size coconuts. Is it me or where they really bigger years ago.

Having made them we of course had to try it. If I was the coconut shy operator I would say that the supporting ring this was the ideal size, it presented the coconut well it was effectively impossible to knock them off. If I was a customer I would shout “foul”. Whose side am I on. My sense of fair play says I should make the rings smaller so the coconut is more likely to topple off, however my customer, the person who buys them from me is the shy operator who wants to control their costs, giving the appearance of giving coconuts away without actually doing it. Its a dilemma . Certainly my dearly beloved who managed to hit a coconut twice made her feelings very plain.

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A leopard skin Mirror

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I recently made 19 illuminated makeup mirrors with black and gold surrounds for a customer which ended up in the Boots Christmas Advert, and during the course of conversation I was asked if I could make a mirror with a fabric surround to which the answer is “of course”.

Their concept is that customers will supply pieces of material to cover a mirror frame to match their décor, which I then turn that into a finished product. I like the sound of that everyone likes a co ordinated room. By way of a demonstration piece I was commissioned to make a leopard print frame. I was having a Mirror making week with four full length mirrors going to a well known fashion company, who will be featuring them in an upcoming series of TV commercials, so I added this one to the schedule.

Armed with a metre of leopard print fabric I set off and I have to say I was delighted with the result. The customer www,backstageshop.co.uk put it on their facebook page  and apparently have already had enquiries so I guess I will be making some more. As they say on their post it divides opinion, “love it or hate it you cant ignore it”.

As for me when no ones looking I quite like it but then I like everything I make and I am really proud of the other four mirrors I made last week, words cant describe the excitement you get when you see something you make on the TV.

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Support an endangered craft

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Another unusual day in my workshop, I wanted to start off by making a joke about how I need to control my apprentice but firstly I don’t have an apprentice and secondly someone would take it out of context and I would live to regret it, so I shall resist temptation.

So here’s my latest project a set of full size adult Medieval Stocks, which I have made as a prototype for a company that’s sells fundraising games. Apparently they are extremely popular at school fetes when you get to put the head teacher in the stocks and pelt them with wet sponges. I was well known to my head teacher as a lad so I like to think I am getting revenge albeit at a very safe distance, after all you wouldn’t want to cross my old head.

The first problem is where do you get the design from, everyone knows what they look like but no one can put actually put a dimension on it, so for the last couple of weeks I have been measuring  the wrists and asking the neck measurement’s of visitors to my workshop, and on one day that will go down in workshop folklore I had people bending over and leaning up against the wall in order to establish an average height.

The suggestion is having now made the prototype my customer will go on to place regular orders and I will go on to corner the market of Artisan Medieval Stocks Maker, as they say “to the crowned heads of Europe” and breath life into what has become a endangered craft.  But in the meantime I have to work out what to do with the prototype, maybe it is time to get an apprentice – don’t go there. In reality it goes to http://www.fitzrobbie.co.uk so if you want your own set they will be delighted to assist and you will know you are hoping to resurrect an extinct industry.

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Its a strange way to earn a Living

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Every now and then I get involved in an art project and for the last week I have been lighting a series of seven sculptures by Mark Humphrey which form the Canary Wharf Remembrance Art Trail which opens today and is in place for the next two weeks so if you get a chance go and have a look.

In the comfort of our own armchairs we all fancy our chances as artists, until you actually work with a real one, and then you just have to accept your good but their a class above and there is a passion and involvement about them which can lead to some very bizarre moments as you get caught up in their world. I spent an hour yesterday assisting the Artist assemble “The Grave” which is part of the Lost Army work. A sculpture in two parts, one side of the path has 50 pristine soldiers standing bathed in pure white light, and the other side of the path a hole in the ground with lots of bodies representing a mass grave where they ended up. We had boxes of scale model bodies and body parts to assemble in the grave, and we became caught up searching through looking for the right bit of arm or leg, and being asked “can you see the head”. Conversations I thought I would never have. At one point I was asked to go and rub some dirt on one body it was too clean, so off into the mud I went.

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Then suddenly its finished and we step out of the building bubble and turn back  to see exactly what has been achieved.  The whole thing takes on a seriousness and solemnity, and for many its become the most moving piece of the whole trail. I will leave you to make your own mind up. My favourite is the picture at the top “Boots on the Ground” 8mts high its big and imposing, and I get to use big lights to accentuate its scale, and there are five more equally thought provoking pieces to look at.

This year when I wear my poppy to commemorate those who have died I shall remember this and what became when we stepped back, a very moving moment.

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Wooden Box wins First Prize

coffin As Halloween rapidly approaches I thought I would recount an old story that happened to me a few years ago.

My local Authority every year puts on a town show every September and as part of that they have a craft marquee with all the usual competitions, best knitted article etc some of which are really good and some need a little more work. Next to the craft marquee they have anther marquee for the local arts organisations in which we had a stall promoting the shop we had at the time.

Now it so happened that I had been on a retailing course where we were told that to be successful we just needed to do the same as the big shops but to suit our budget. So that’s what we did, and decided to theme the shop for Halloween, to include a Coffin display cabinet. Now I did have a conversation with a local funeral director about buying one until I found out the cost ( and the lack of quality) so in the end I decided to make one. A sheet of top quality block board was duly purchased. I lay on it, my colleagues drew round me, and so a coffin was made, I then went on to make several more for local theatrical hire companies. I still have it and several times a year it gets hired out. I used to joke this was mine for when my time comes, but as I get older I find myself eyeing it up and thinking I must get round to adding some padding I want to be comfortable, is that logical?

Now I had decided to take the coffin fitted out as a display cabinet to the show to put on our shop stall to promote Halloween, but as a joke I mentioned to a council official I was going to enter a hand made wooden box into the craft competition. This was met with much enthusiasm as the wood section of the competition was always poorly supported. Over the course of the next few weeks I dropped several snippets into conversation about ” did they have enough space allocated for it” and eventually curiosity got the better of them and they asked what sort of wooden box it was. I hedge a bit but eventually I told them what type of box it was  and all hell broke loose, you can guess the rest. Suffice to say it went all the way to the top, I had managed to scandalize a complete administration.

Having made such a fuss I thought I should actually support the competition and so instead entered a turned chess set which I had made for my dearly beloved. It had taken a month of evenings slaving over a hot lathe to turn a complete set of chess pieces in tulip wood and rosewood. I was so proud, if I say so myself they were perfect. All the pawns identical one of my finest pieces of work or so I thought. I didn’t have time to make the chess board so I just used one from home and into the craft tent it went. The coffin then went with me into the arts tent and became a amusing conversation piece for the day.

When the judging was over I discovered my magnificent chess set had been awarded third prize out of a field of three, and if I say so myself the first and second prize winners effort were pretty ropey. Now as luck would have the clerk to the judges was an old friend of mine, and when I was moaning to him about it, I was told it was because the judges hadn’t believed it was hand made. It was too good. So throwing my hands up in despair I said “what do I have to do to win first prize” to which the answer was “ask me nicely” and was then presented with a pink piece of card with first prize written on the front, which is all you won.

Back I went to my stall triumphant, clutching my First Place pink card which I duly pinned to the front of the coffin. As I did that who should stroll past but the mayor, who exclaimed “Ahh I see you have won first prize” and proceeded to shake my hand, as the photographer from the local newspaper took our picture. It made it into the paper the following week which goes to show you cant always believe everything in the press, and I continue to claim I won first prize for the coffin.

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